Biography for Paul Siegell

Paul Siegell
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Siegell, Paul
Born: August 28, 1977, in Long Island, New York
Primary Vocation Category: Literary

Geographic Connection to Pennsylvania: Philadelphia; Philadelphia County

Keywords: Poemergency Room; jambandbootleg; wild life rifle fire; Painted Bride Quarterly; University of Pittsburgh; concrete poetry; The Philadelphia Inquirer; Daily News;; ReVeLeR @ eYeLeVeL

Abstract: Paul Siegell was born in Long Island, New York, and earned his undergraduate degree from the University of Pittsburgh, where as a sophomore he realized he was becoming a poet. He has since written three books of poetry, Poemergency Room (2008), jambandbootleg (2009), and wild life rifle fire (2010), and is known for constructing visual artwork with his poems. Siegell currently lives in Philadelphia, PA, where he works as a writer and editor for The Philadelphia Inquirer, Daily News, and, and also serves as a Senior Editor for Painted Bride Quarterly.


Paul Siegell, born August 28, 1977, in Long Island, New York, is a poet dedicated to “creating an eyeful for the mindful.” He tells Chris Urie of that it was during a poetry lesson in 5th grade when he first discovered the appeal of concrete poetry, defined by the Poetry Foundation as verse that emphasizes nonlinguistic elements in its meaning, e.g. a typeface that creates a visual image.

“[The other kids were] scribbling away… and I was sitting there waiting for recess,” Siegell recalls of his teacher’s assignment to write a poem. “Mrs. Grossman came over, sat with and asked me to name an animal. Last name’s Siegell so I said bird. ‘Good,’ she said. ‘Now fill the page with the outline of a bird.’ I drew a bird. Then she goes, ‘Write in as many kinds of birds as you can think of, all the way around your drawing.’ So I did. When I was done she said, ‘Now erase the line.’”

Urie describes Siegell as “one of the few people able to distill emotion into the very finest visual representation.” Margaret Bashaar of Weave Magazine adds that Siegell's work is “high level energy. ... [He] bounces from word to word, line to line with a fantastic momentum. …and this momentum often manifests in repetition emphasized by italics or capital letters. His poetry feels as though it almost literally pulls you from one line to the next, from one poem to another.”

It was during Siegell’s undergraduate studies at the University of Pittsburgh (Pitt) when he realized he was a poet and began work on jambandbootleg (2009), a collection that mimics the performance and improvisational elements of jam bands like Phish, according to Gregory Lawless, author of the blog I Thought I Was New Here: poems and whatnot. “The first poem I ever wrote was after an NYE-run of PHiSH shows my sophomore year,” Siegell says.

In his post-sophomore year at Pitt, 1996, his interest in poetry transitioned to serious writing, he tells Urie: “I was reading things like Dickens' Great Expectations, rereading Ginsberg's Howl, spinning Phish and Dead bootlegs on cassette, and writing about live music – and live-music lovers – until 4 in the morning, crashing, then waking up all way on the other side at 4PM... Editing, revising, deleting great chunks. Teaching myself how to launch into meaning through rhythm and imagery. Finally having something to do, I fell madly in love. I had something to work on. I had a purpose. I had Purpose."

Siegell has said he often finds inspiration in the throes of live music events. “Concerts move me. … [O]n good nights, as my body releases into a riot of excitement, I start hearing things in my head. The performance of expression. The created crowd. The historical connection. Inspiration in the hetty, sweaty deliciousness.”

While drafts of poems for jambandbootleg kicked off his poetry-writing focus, Siegell’s first published collection is Poemergency Room (2008), which also draws on concert-going experiences, in addition to a variety of other subjects, including musings on a high school gym class, written in the shape of a flexed runner, in “Antibiotics” and a study on writer-reader interplay rendered in the puzzle-like form of “the chill soar.” Poemergency Room is “full of short statements, fancy line-work, and carmen figuratum or shape poems,” says Bashaar. “The language is a mix of the high and low cultures, making a pop culture reference juxtaposed with a literary one.”

Via his web site ReVeLeR @ eYeLeVeL (, which JambandsOnline’s Ariel Rosemberg deems one of the “30 Awesome Poetry Blogs You Aren’t Reading Yet,” Siegell even sells his striking work on graphic t-shirts. In conversation with Urie, however, he is adamant about not considering himself a graphic designer. Siegell – who works as a writer and editor for The Philadelphia Inquirer, Daily News, and, and also serves as a Senior Editor for Painted Bride Quarterly – has over 10 years of experience working with graphic designers. “I’ve far too much respect for what they do to call myself a graphic designer. I’m just writing poems, and some just look funkier than others.”

First and foremost, Siegell’s goal is for his work to succeed within its intended genre. “It’s gotta be a poem,” he tells Lawless. “[A]nd hopefully a Poem, before it can be anything else. The layout can come later that day or sometimes years later. At some point the poem goes to me, ‘Yo dude, I don’t look like this.’ And so I listen.”

Siegell’s third collection, wild life rifle fire, is simultaneously a collection of poems and a singular poem, according to Urie. Siegell is at work on three new collections, Trombone Bubble Bath, Take Out Delivery, and Jacques Lipchitz, and has had work appear in several literary journals, including American Poetry Review, Black Warrior Review, Coconut, and Rattle.

His poem, “America stop honking I know what I’m doing,” from Poemergency Room, was selected for publication by the Public Poetry Project of the Pennsylvania Center for the Book in 2015.

Paul Siegell currently lives in Philadelphia, Pennsylvania, and says in conversation with Urie that he is most astonished when people tell him that reading his poetry makes them feel like they are at a concert.

“Here’s my deal,” he tells Lawless. “I’m MFA-less …and I should really know more about theory/traditions. … What I know is the propulsion of instinct. … When the reader feels it, the leap, from my work, that’s miraculous and I’m grateful.”




This biography was prepared by Nicole Miyashiro, 2015.

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